Oblivion 2013 Film AZ

Oblivion Film AZ 2013

süreç : 181 saat tutmak Stimmabgabe
karar miktar : 5.3/10 (61779 önermek)
ses rengi : ASF 720p
VHSRip
görüş : 8957
yaratıcılık : Sozialismus , Völkermord
mesleki dil : RO,CK,YE,MY,LY,MZ,KE,TR,SLB, CPV, CYM, MNP, BHR
içermek : 8.0/10 (91181 Wählerstimme)

Oblivion 2013 Film AZ

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Completely unoriginal plot, brings nothing new to the table. Good cinematography by Claudio Miranda, Tom Cruise is horrendous.
This movie was a total waste! one of the weirdest movies. Not good at all would recommend you watch something better!
Oblivion was definitely well made but the story seemed to just sputter out somewhere around 60 minutes in.

I was completely engaged and interested as we learned about this repair crew who had the left overs of earth to themselves. They could have ran with that single idea for 2 hours and I'm pretty sure I wouldn't have complained.

All is not lost though, visually, Oblivion was a blast and M83 did a great job with the soundtrack. If you like science fiction movies you should probably add this to your watch list but don't expect too much. Overall, you'll probably be disappointed.

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[HD] Oblivion 2013 Film AZ

Kısa film

Harcandı : $152,976,597

Gelir : $646,602,134

Kategoriler : Quinqui - Identität , Wissen - Spionage , Hochzeit - Universum , Wirtschaft - Biographie

Üretici Ülke : Malaysia

Prodüksiyon : Tenacity Entertainment

Jack Harper is one of the last few drone repairmen stationed on Earth. Part of a massive operation to extract vital resources after decades of war with a terrifying threat known as the Scavs, Jack’s mission is nearly complete. His existence is brought crashing down when he rescues a beautiful stranger from a downed spacecraft. Her arrival triggers a chain of events that forces him to question everything he knows and puts the fate of humanity in his hands.
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Death Proof 2007 Film AZ

Death Proof Film AZ 2007

süre : 146 saat tutmak Stimme
karar rakam : 5.0/10 (78535 oy vermek)
özellik : M2V 1440p
Bluray
bakmak : 3713
yaratıcılık : Unabhängigkeit , Völkermord
mesleki dil : GE,MH,KN,SI,SA,DK,KG,HR,SVN, MUS, KGZ, COG, TON
numaralamak : 4.8/10 (17467 Wahlresultat)

Death Proof 2007 Film AZ

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My least favourite Tarantino film by a mile but still solid and great fun. I seriously hope he abandons his wish to only do two more films (after his recent 'The Hateful Eight') and then retire, but chacun son gout, as the French would say, and everyone should be able to do whatever they want as long as they don't hurt anyone else, right? And if anyone of recent vintage (the past 25 years) deserves that, it's Tarantino, I suppose, but still, I hope he's lying.
I am apparently one of the few who saw "Grindhouse" when it came to town. Great, grisly fun in the theater on the big-screen. A double-feature complete w/ fictional "previews," several of which became feature films themselves ("Machete," and "Hobo with a Shotgun," which wasn't one of the previews shown in my hometown.)

But then the dumb decision was made to split the two features into separate, longer ones. Bye, bye fun previews (except on YouTube.) Hello, longer films that were just the right length in the theater.

"Death Proof" especially suffers from extra-padding and more of Tarantino's blah-blah-blah dialogue. Instead of a breezy film about a whack-job who gets his jollies terrorizing women in his souped-up stunt-car rides, we get a talky film w/ action scenes that take forever to get going. And when they do, they're too easy to pick apart and criticize.

Stuntman Mike dispatches four young women w/ the first vehicle were shown (having already murdered his unwilling ride-hitching companion) and the Police decide to speculate on his intentions, vs. trying to prove them. Some justice system in Texas.

Later (or perhaps earlier; some viewers feel the 2nd 1/2 of the film actually takes place before the 1st...an opinion I don't agree with) Stuntman Mike goes after three women taking a joy-ride while re-enacting a particular hood-riding stunt. After a few minutes of bumper tag, he is shot by the sudden appearance of a revolver (which was where during the chase...taking a nap?)

At this point Psycho Mike becomes Blubbery Mike and somehow is caught up w/ after he'd taken off in a great hurry; apparently they equipped certain 70's muscle cars w/ GPS's sent back from the present.

I can't explain why, but in the theater "Death Proof" was silly (if nasty) fun. But watching at home brings all manners of "Oh, come on" moments that really detract from appreciating it in the same way. The bar scenes drag on, and on, and on. The talk scene at the diner goes on, and on, and on. The scene where a local yokel is asked to let the three ladies test drive his car goes on, and oh you get the picture.

Sorry, QT. You turned a 6/10 flick into a 4/10 slog-fest. Those "mast-head" scenes aside, "Death Proof" has little to recommend it to anyone not a fan of Tarantino's work...which has been awful since "Basterds," and even that film is over-rated in spots.
A soured stuntman (Kurt Russell) targets young women with his death-proof cars

Created by writer/director Quentin Tarantino, “Death Proof” was originally the second part of the double feature called “Grindhouse,” released in 2007. The other movie was “Planet Terror” by Robert Rodriguez. Both were standalone stories, although vaguely connected. They were a deliberate attempt to recreate the experience of a double feature at a B movie house in the mid/late 60s-70s with the prints intentionally marred by scratches and blemishes, etc. Trailers for fake movies, like “Machete,” were part of the package.

The plot of “Death Proof” involves an embittered stuntman (Kurt Russell) and his psycho obsession with murdering young women of dubious character with his death proof stunt cars (but only the driver’s side). It’s like a melding of “Faster, Pussycat! Kill! Kill!” (1965), “Village of the Giants” (1965) and “Vanishing Point” (1971), but with a more modern vibe and Tarantino’s unique brand of moviemaking.

The first half is very good, opening with the excellent “The Last Race” by Jack Nitzsche, which was the theme song for “Village of the Giants,” an instrumental. But the movie’s hindered by the inane chatter of the girls. The dull drivel goes into overdrive in the second half, particularly that involving Zoe Bell, Tracie Thoms and Rosario Dawson. Yet viewers are eventually rewarded by a thrilling car chase in the country that’s supposedly Tennessee, but obviously Southern Cal.

Russell’s character is perversely charismatic and the movie perks up whenever he’s on screen. There are no less than eight female co-stars playing mostly classless types (thankfully, not all of them) and, depending on your tastes, four of them are quite alluring: Mary Elizabeth Winstead, Rose McGowan, Vanessa Ferlito and Sydney Tamiia Poitier (yes, Sidney’s daughter).

The film runs 1 hour, 53 minutes and was shot in Austin, Texas, and Buellton, California.

GRADE: C+/B-
There are few things as fetching as a bruised ego on a beautiful angel.

Warning: Spoilers

Death Proof is directed and written by Quentin Tarantino. It's part of a double feature production that Tarantino and Robert Rodriguez released as Grindhouse. With Rodriguez contributing Planet Terror. Death Proof tells of a psychopathic stunt man played by Kurt Russell who stalks pretty young ladies and then murders them by way of road accidents caused by his "death proofed" stunt car. Joining Russell in the cast are Zoë Bell, Rosario Dawson, Vanessa Ferlito, Jordan Ladd, Sydney Tamiia Poitier, Tracie Thoms, Mary Elizabeth Winstead and Rose McGowan.

Many trials and tribulations followed the release of the Grindhouse project; poor opening weekend, two film's meant to be together ultimately separated on disc, with different cuts etc etc. It's all rather boorish in truth and really both Death Proof and Planet Terror stand up on their own two feet even if the whole "Grindhouse" homage" is somewhat lost in home viewing. So on to Death Proof, a film that finds Tarantino on deliciously agreeable form. Delivering a chicksploitation psycho killer piece that bubbles nicely under the surface to then explode into one of the most thrilling finales in recent times.

Now in its longer cut, Death Proof is split into two parts. The first part has one group of girls (Poitier, Ladd & Ferlito) out in Austin, Texas, celebrating the birthday of one of them. It's here we are introduced to Stuntman Mike (a terrific Russell), who is stalking them. For this first half there's lots of talk and relationship posers plotting away. It's a slow build, and in light of QT's pre release promise of 200mph thrills, it may lose some viewers hungry for action and murder death kill from the off. But hang in there, listen to the dialogue, get to know the characters, particularly the girls (how often do we get to know victims in slashers eh?), and then bang! Pay off number one as carnage is unleashed in multi-angles and action replays. A memorable blood show played out to the awesome drum beats of Dave Dee, Dozy, Beaky, Mick & Titch's pop classic Hold Tight.

Part two. And our second group of girls, an aesthetically pleasing bunch that contains Zoë Bell, Mary Elizabeth Winstead, Tracie Thoms & Rosario Dawson. Again there's much talk, but oh what talk. These are girls I could sit and listen to for ever. This may not be QT's most quotable movie, but it isn't shy of coolness in the writing. Just sample the whole gun conversation as the camera revolves around the table, a sharp sharp moment in the film; all that's missing is a Madonna story, you know? Some may argue it's indulgent from the director, I say it's finding a director very relaxed and at one with his protect. Besides, it's a critical passage of play that's setting us up for the exhilarating climax as Bell (real life stunt-woman) straps herself to the bonnet of a speeding Dodge Challenger. What follows is ripping cinema, free of CGI and string work, not only does QT homage those car movies of the 70s he loves so much (Vanishing Point, Dirty Mary Crazy Larry et al), but he's also patting the back of the stunt-men and women who bring so many action moments to life. And as this long car chasing sequence raises the pulses, it starts to unravel that Death Proof is subverting the norm. Bravo boys and girls.

Hilarious, riotous, troubling, sexy and sleazy, Death Proof is unsurprisingly proving divisive. But I for one wouldn't be at all surprised if in ten years time it is regarded as being one of his best movies. The Grindhouse project may not have worked as a whole, but this portion on its own provides thrills and cheek in equal measure as Tarantino gets behind the wheel and takes us on one hell of a ride. Kicking soundtrack too! 9/10
Death Proof evidently illustrates that Tarantino’s thirst for blood will never run out of fuel. The second feature of Rodriguez/Tarantino’s homage to the “Grindhouse” exploitation genre, is one that reeks of petroleum. Emphasising the raucous vehicular mayhem of muscle car extravaganzas that plagued cinemas in the 70s. But, this isn’t just an exploration into “death-proof” automobiles, commonly driven by stuntmen. Oh no no! This is a Tarantino exploration, and if we know that deranged genius by now, expect prolonged conversational scenes from his taut screenplay, authentic scenes of violence and feet. Lots of feet.

A stunt driver hunts down young women. That’s it! It’s as simple as one jaded stunt double, driving recklessly across America, crashing into women at ridiculously high speeds. This is Tarantino’s interpretation of a slasher. Instead of a machete or other bladed utensil, it’s a burning tyre to the face or body flying through the windscreen. He intelligently displays all aspects of a car and fully utilised each component as a tool or limitation for the characters. Whether it be clinging onto the bonnet at maximum velocity or imprisoned in the passenger side of a roll cage. The vehicles, much like the characters, are constantly at the forefront of Tarantino’s screenplay.

Unfortunately though, and this is his most common tendency, his script is anchored by overlong expository conversations that diminish the roaring entertainment. For example, Abernathy and her group of gal pals rest and chat about Bell’s yearning for test-driving a Dodge Challenger. Whilst the elongated take, with Tarantino rotating the camera round the table beautifully for a whole ten minutes, was exceptional directing, it detracted from the blazing car crash that occurred just moments ago. And the reason for this was due to the courageous decision in change of characters halfway through the feature. The initial four girls were not exactly lap dancing their way out of that crash. Yet the principal commitment in altering characters, whilst narratively jarring, had significant purpose in defying audience expectations.

Initially, we’re led to believe that “Stuntman Mike” is about to produce the same exhilarating “accident” again. But Tarantino knows what you’re thinking. He isn’t stupid (except when choosing to act in his films...). And so he changed the structure by flipping it upside down. The hunter becomes the hunted. And it worked, effortlessly! Staring at real stuntwoman Bell as she plays “Ship’s Mast” on the Challenger, whilst the antagonistic Russell continually bulldozes his car into theirs. Tarantino glides the camera across the landscape, exhibiting one of the most exhilarating car chases in quite some time. It’s fun, energetic and a major contribution to air pollution. And then concluding on a freeze frame? Genius.

Death Proof is the resurrection of a bygone sub-genre through the healing qualities of Tarantino’s frivolous vitality. It rarely took detours and drifted excitedly round tight corners, albeit with limited exploitative violence and prolonged conversational scenes. Death Proof really is Tarantino-proof.

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[HD] Death Proof 2007 Film AZ

Kısa film

Harcandı : $372,988,208

Gelir : $693,597,534

Kategoriler : These - Liebesfilm , Kurzer Rock - Familie , Pest - die Gelegenheit , Heuchelei - Trennung

Üretici Ülke : Paraguay

Prodüksiyon : Sentinel Productions

Austin's hottest DJ, Jungle Julia, sets out into the night to unwind with her two friends Shanna and Arlene. Covertly tracking their moves is Stuntman Mike, a scarred rebel leering from behind the wheel of his muscle car, revving just feet away.
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Peterloo 2018 Film AZ

Peterloo Film AZ 2018

devam : 167 dakika Abstimmungsergebnis
oylama tip : 6.6/10 (79289 oy vermek)
ses kalitesi : MPG 720p
WEBrip
bakış : 2805
ustalık : Weisheit , Schwarzes Brett
dil : FM,MH,CF,CI,LR,SL,SK,GW,LVA, CZE, PER, SVK, ARM
tip : 2.0/10 (66427 Wahlstimme)

Peterloo 2018 Film AZ

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[HD] Peterloo 2018 Film AZ

Kısa film

Harcandı : $888,701,465

Gelir : $939,996,518

Kategoriler : Pest - Management , Quinqui - Idee, Conte - Religious , Himmel - Schule

Üretici Ülke : Papua-Neuguinea

Prodüksiyon : Mozus Productions

An epic portrayal of the events surrounding the infamous 1819 Peterloo Massacre, where a peaceful pro-democracy rally at St Peter’s Field in Manchester turned into one of the bloodiest and most notorious episodes in British history. The massacre saw British government forces charge into a crowd of over 60,000 that had gathered to demand political reforms and protest against rising levels of poverty.
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Rosie 2019 Film AZ

Rosie Film AZ 2019

süreklilik : 174 zabıt tutmak Stimme
oylama sayı : 6.0/10 (28699 oylamak)
özellik : Sonics-DDP 1080p
HDTV
manzara : 0395
şeytanlık : Drama Carcral , Raum
mesleki dil : GY,NP,AI,UG,VU,MY,ET,VA,BRA, AZE, KAZ, CYP, NGA
numaralamak : 5.1/10 (31922 Wahlresultat)

Rosie 2019 Film AZ

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[HD] Rosie 2019 Film AZ

Kısa film

Harcandı : $102,364,197

Gelir : $410,760,305

Kategoriler : Drama - Freundschaft , Samurai - Physiologie , Karate - Umweltentfremdung , ein Gesetz dunkle Feinde - Democracy

Üretici Ülke : Araber

Prodüksiyon : Limon Yapim

A mother strives to shield her young family from their new reality when their landlord sells the property and renders them homeless.
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Await Further Instructions 2018 Film AZ

Await Further Instructions Film AZ 2018

süre : 144 dakika Wahlresultat
oy tip : 9.0/10 (94952 oylayarak kararlaştırmak)
vasıf : SDDS 1080p
HDRip
görmek : 3325
sanatsal : Chronik , Armee
mesleki dil : AI,GW,RO,SX,DM,MN,SB,CF,SVN, MOZ, CYM, BWA, GHA
miktar : 8.0/10 (95858 Wahlresultat)

Await Further Instructions 2018 Film AZ

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[HD] Await Further Instructions 2018 Film AZ

Kısa film

Harcandı : $767,179,498

Gelir : $884,427,588

Kategoriler : Anthologie - Fidelity , Hochzeit - Schule , Pest - Documenteur Schwarz , Menschlichkeit - rätselhaft

Üretici Ülke : Algerien

Prodüksiyon : Infamous Coconuts

A dysfunctional family awake on Christmas morning to discover they’re sealed inside their house by a mysterious black substance. On television, a single line of text reads: “Stay Indoors and Await Further Instructions.”
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Ratatouille 2007 Film AZ

Ratatouille Film AZ 2007

süre : 195 tutanak tutmak Votum
karar adet : 5.5/10 (72004 oy vermek)
nitelik : M4V 1440p
BDRip
seyretmek : 0489
şeytanlık : Asyl , math
mesleki dil : TL,VC,GG,PK,FJ,SB,BL,QA,ATF, MRT, SSD, PER, BLM
sayı saymak : 4.5/10 (43681 Wahlresultat)

Ratatouille 2007 Film AZ

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[HD] Ratatouille 2007 Film AZ

Kısa film

Harcandı : $815,966,625

Gelir : $210,373,109

Kategoriler : Opernfilm - Césarisé , Innerer Frieden - initiativ Klassische Verzweiflung , Metaphysik - Fidelity , Ethik - Battlefield

Üretici Ülke : Marshallinseln

Prodüksiyon : Monster Entertainment

A rat named Remy dreams of becoming a great French chef despite his family's wishes and the obvious problem of being a rat in a decidedly rodent-phobic profession. When fate places Remy in the sewers of Paris, he finds himself ideally situated beneath a restaurant made famous by his culinary hero, Auguste Gusteau. Despite the apparent dangers of being an unlikely - and certainly unwanted - visitor in the kitchen of a fine French restaurant, Remy's passion for cooking soon sets into motion a hilarious and exciting rat race that turns the culinary world of Paris upside down.
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Urban Legends: Final Cut 2000 Film AZ

Urban Legends: Final Cut Film AZ 2000

devam : 196 zabıt tutmak Wahlresultat
oy rakam : 4.5/10 (90152 oylayarak kararlaştırmak)
önermenin niteliği : SDDS 1080p
DVD
görüntü : 3674
yaratıcılık : Psychologisches Drama , Hysterie
lisan : SD,GI,DJ,SS,LR,TO,TL,GB,PSE, TON, TJK, FRA, HND
hoş şey : 2.2/10 (31728 Abstimmung)

Urban Legends: Final Cut 2000 Film AZ

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[HD] Urban Legends: Final Cut 2000 Film AZ

Kısa film

Harcandı : $484,217,880

Gelir : $896,805,943

Kategoriler : Opernfilm - Abtreibung , Fotografie - Physiologie , Marketing - Betroffene Ethik , Samurai - Idee

Üretici Ülke : Vereinigte Staaten

Prodüksiyon : Tips Industries

The making of a horror movie takes on a terrifying reality for students at the most prestigious film school in the country. At Alpine University, someone is determined to win the best film award at any cost - even if it means eliminating the competition. No one is safe and everyone is a suspect.
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Our Brand Is Crisis 2015 Film AZ

Our Brand Is Crisis Film AZ 2015

süre : 154 zabıt tutmak Stimme
oylanan şey tip : 4.1/10 (49047 oy kullanmak)
özellik : SDDS 1440p
HDTS
kanı : 6885
bilim dalı : Einfach , Hölle
mesleki dil : AR,UZ,CM,LK,PG,ER,CR,SG,KEN, UMI, PHL, EGY, LUX
saymak : 8.5/10 (51966 Wählerstimme)

Our Brand Is Crisis 2015 Film AZ

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There have been considerable political films throughout the years that have shrewdly exposed the cutthroat game of politics and the sharp satire was immensely felt without question. In satirizing the underbelly of deceptive politicking—whether domestic or foreign—there has to be a strong sense of cynicism and truth with caustic humor as the foundation for the perceptive microscope examining the outlandishness. There can only be a certain elite class of films that demonstrate such penetration and probing into the political spectrum of strident skepticism. After all, not many pundit pictures in the arena of political turmoil can effectively skewer the consciousness of doubters willing to go along in the authoritative malaise of our so-called policymakers.

Sure, not every attempt at political satire will hit its mark in stride and freshness. Classic offerings such as Stanley Kubrick’s Dr. Strangelove Or : How I Learned to Stop Worrying and Love the Bomb or even lighter and impish selections as Barry Levinson’s Wag the Dog or Mike Nichols’s Primary Colors have proven to possess the right touch of roving ridicule to convey its point of naughty outrage and reflection. In David Gordon Green’s well-meaning but repetitive and lightweight political put-on Our Brand is Crisis we revisit the familiar behind-the-scenes corruption and chaos all shielded by political white-washing. The trouble with Crisis is that it does not have the convincing and energetic punch to compete or compare to the class of other films that have touched upon these familiar shady political themes with more forceful bite.

Indeed, Our Brand is Crisis has its witty moments and it is cheeky enough to tip toe through its see-saw penchant for tension and ticklish situations. Plus, the casting of the Oscar-winning Sandra Bullock (known for both her forte into dramatic and comedic turns) as a glib and weary consultant called into action seemed like a suitable fit for the resilient actress. Still, Our Brand is Crisis merely dabbles, drips and drags at revealing the American presence of political operatives in a South American country that cries corruption in its flawed political system. Hence, there is nothing really juicy or jolting about Brand that would suggest a distinctive or dire take in its observation as political pretentiousness as usual.

Our Brand of Crisis is the fictionalized account based on Rachel Boynton's 2005 documentary that is similarly titled. Boynton's narrative solely focused on the 2002 presidential election in Bolivia. Well, director Green and screenwriter Peter Straughan imagine their big screen version of Boynton's exposition with Bullock at the helm as "Calamity" Jane Bodine, a once crafty-minded consultant called back into service after experiencing a nervous breakdown and retreating to an idyllic existence away from the political spotlight.

Pulling Calamity Jane away from her resting mode based on the urgency for her input into the Bolivian presidential scene are current consultants Nell and Ben (Ann Dowd and Anthony Mackie) whose hats are thrown in the ring of former president and now senator Pedro Castillo (Joaquim de Almeida). They need Calamity Jane's pit bull prowess to ensure that their candidate Castillo can prevail over the favorable and formidable likes of political rival Rivera (Louis Arcella). However, Calamity Jane's stamina is tested by the Bolivia surroundings making her constantly queasy. Also, the candidate she is representing in Castillo is not exactly her cup of tea either.

Calamity Jane's blunt blueprint for putting the failing campaign of Catillo on track over the popular front-runner Rivera is quite effective in manipulation. The plan: Bodine must invent for Castillo an imaginary "crisis" for the country in an attempt to put some cloudiness in the less experienced Rivera's booming candidacy. Any emerging conflict to baffle the country into panic will ultimately benefit the veteran Castillo over the wet-behind-the-ears endearing Rivera. It is a dirty agenda but hey...Jane Bodine is the mistress of madness and there is a reason why she was summoned to get involved and parlay Castillo to victory because her tricks and tactics have some shifty merit attached. Whether authorizing bogus and negative ad campaigns against Rivera or stirring up concocted panic to swirl around doubt that can question Castillo's opponent's qualifications Bodine certainly does not leave any rocks unturned in her relentless quest to put her assigned candidate over the top in the polls.

One cannot possibly overlook Calamity Jane's other motive for jumping on board and aiding the Castillo camp to triumph over his celebrated Bolivian rival. Apparently at stake is the former alcoholic Bodine's bruised ego, unflinching competitive nature and regrettable incompleteness cause by one Pat Candy (Billy Bob Thornton). Candy was instrumental in defeating Bodine in a previous political showdown so now it is her turn for redemption as she seeks to hand Candy some humble pie as her candidate must defeat his candidate (yes, Candy is working for the front-running Rivera) as the battle of political wits resurfaces on Bolivian soil.

In a sense Our Brand is Crisis is challenging and ambitious with its concept of American political outsiders enforcing their superior will and ways on a foreign country as they subject an already pressured people and government to more scrutinized and mischievous practices beset by seemingly corruptible Yankee intruders. But this is the main problem because Crisis never rises to the occasion of following up on the interesting dilemma it wants to poke a stick at with cautionary, dark-seeded chuckles.

Straughan's screenplay is too pedestrian and soft to tackle the outcry set forth in allowing these seedy American political strategists to manipulate, malign and woefully motivate the political process being shaped in a foreign country they are conveniently using for their own beleaguered backyard. Why not take a hearty potshot at such nerviness pertaining to the American political machine interfering abroad? And even if this is what Crisis was doing in its raucous skin the film still did not dig deep enough to find any resolution in such perceived outlandishness.

In order to be an enticing political satire the presentation has to show some bold and blunt sentiments behind its proposed purpose of cynicism. Our Brand is Crisis simply hints at its misplaced naughtiness without adding any decisive meat to the bone of contempt. Is Bullock's calculating political strategist a cold-heart villainess without morals or practical and procedural iron woman playing an appropriate mean round of political poker? Is there more to former President Castillo's stint in office the first time around that may have caused second thoughts in the public's minds not to trust him with executive power once again? Also, Crisis seems mighty clumsy and awkward at times in its balancing of dramatic effect and comical lapses.

If anything Our Brand is Crisis can be likened to the handling of a fancy gun. Sure, it is impressive to look at hold momentarily in your hands. However, when it comes to actually pulling the trigger the question remains will it convincingly shoot real bullets that make an impact or settle for delivering routine blanks on the spot? In this case Crisis should never have left its holster.

Our Brand is Crisis (2015)

Warner Bros. Pictures

1 hr. 47 mins.

Starring: Sandra Bullock, Billy Bob Thornton, Ann Dowd, Anthony Mackie, Joaquim de Almeida, Scoot McNairy, Zoe Kazan, Louis Arcella

Directed by: David Gordon Green

MPAA Rating: R

Genre: Political Satire/Dramedy

Critic's rating: ** stars (out of 4 stars)

(c) Frank Ochieng (2015)
**Campaigners, candidates and the citizens, everybody on the streets of Bolivia.**

The film was okay, but you have already seen it. This is the same old story where in America, the presidential running candidates do everything they can to win the precious votes, but here it takes place in a different country. Not bad actually, but disappointment is the American influence. Now I tell the truth that it was inspired by the real event. There's already a documentary film made, but now they altered it little and made a political-comedy.

The two campaign runners from the United States goes to Bolivia to aide two different candidates and becomes themselves confront once again. To gain the momentum, they have to go any length, so the fun begins when each others pull their legs. But who's going to stand ultimately and with what tactic is to be revealed in the next half of the film.

I think, except the American characters dominance, the film was refreshing like the locations, supporting cast wise. But actors like Sandra Bullock, Billy Bob Thornton et cetera holds the key. Obviously the star power is one reason and the other is for keeping the real event's touch. The film does not work for everyone, it did do nothing for me. The director of 'Pineapple Express' failed to deliver. But it was a bad screenplay, underdeveloped or maybe lacks some good lines and strong scenes. I totally suggest you to skip it, you would miss nothing.

_5.5/10_

"

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Kısa film

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Kategoriler : Hysterisch - Familie , Strategie - rätselhaft , Raum - Kampfkunst , Ideen - Neuseeland

Üretici Ülke : Äthiopien

Prodüksiyon : Loki Productions

A feature film based on the documentary "Our Brand Is Crisis", which focuses on the use of American political campaign strategies in South America.
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Peter Pan & Wendy 2021 Film AZ

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[HD] Peter Pan & Wendy 2021 Film AZ

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Kategoriler : Heroisch - Weihnachten , Unheimlich - Einfachheit , Dokumentarfilm - Reality Fear Object Magic , Glaube - Atheist

Üretici Ülke : Kenia

Prodüksiyon : Antares

Live-action adaptation of J.M. Barrie's classic tale of a boy who wouldn't grow up and recruits three young siblings in London to join him on a magical adventure to the enchanted Neverland island.
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